synth
Each track named for a real, documented encounter with something in the sky.
This is new age / ambient: the synth used as a way of listening rather than speaking, tuned toward UAP and the thresholds beyond it.
The recordings — “Alien Encounters”, “Extraterrestrial Meetings”, “Unknown Stars”, “Zero Gravity” — are stations on one continuous passage.
Appears seldom, and only in small consecrated-feeling rooms across the UK — chapels, halls, quiet upstairs spaces. Never crowded. For intimate gatherings, enquire.
Best heard whole, start to finish, low, in one sitting.
It's mostly synth, close-mic'd, with the room left in.
I make music about UAP and stillness, and I mean every note — but I won't pretend it's free.
Choosing quiet can look, from outside, like disappearing. Some days the calm I write about is the calm I most need myself.
If you make gentle music and feel overlooked, you are not doing it wrong. That is just the shape of it.
I didn't plan “Extraterrestrial Meetings”. It arrived as “extraterrestrial meetings” as a phrase before it was a record and asked to be finished.
I kept the takes that sounded like weather and cut the rest.
It isn't a message — it's company for a particular hour.
There is a single feeling under “Alien Encounters”: “alien encounters” as a phrase before it was a record.
Each pass got quieter until only documented sightings was left.
Play it low. It was made low.
Let it pass through.
People hear new age / ambient and expect calm; underneath it, for me, it's mostly UAP.
I kept the takes that sounded like weather and cut the rest.
I hope it meets you somewhere quiet.
“Unknown Stars” began with documented sightings — a small thing I kept circling.
I wrote it at the synth, mostly late, mostly by deleting.
I hope it meets you somewhere quiet.
Let it pass through.
Vangelis · early Tangerine Dream · BBC Radiophonic Workshop · ambient techno
In the lineage of Vangelis · early Tangerine Dream · BBC Radiophonic Workshop · ambient techno
Make the room quieter than you found it.
